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樓主 / chowder
- 時間: 2012-9-04 02:281起因:
2012年7月27日第30屆奧運在倫敦舉辦。開幕式上用了許多典,我不懂的地方太多,真是沒文化
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ELECTION 寫道:哦,又找了找。不懂的地方真多。籃色是出典:
開幕式在黑幕中開始。“邦德”丹尼爾-克雷格將由直升機的繩索從天而降,隨後27噸重的巨鍾敲響,宣布著開幕式的正式開始。而這巨鍾的創意也正是來自莎翁名作的《暴風雨》中的經典名句“不必害怕,這小島回蕩著嗡鳴”。接著,肯尼斯-布拉納將會朗讀劇作中的經典橋段。
此時,一個小山連綿、泉水流淌,草地和農舍相映成趣的背景將會把人們帶回到英國過去以農業為主的時期。那風景將會由真的動物組成,其中就包括了12匹馬、 3頭奶牛、70只綿羊和3只牧羊犬。屆時,甚至還會有馬拉動的耕犁的工具,辛勤的擠奶婦女、野餐的家庭、愛德華時期的村莊板球隊以及慶祝著五朔節而舞蹈著 的人們。舞台的一端會是格拉斯頓 伯裡山的娛樂活動,其頂端是一棵橡樹,而它的山腳下是節日歡聚的“人潮”。而另一端則是一個巨大的空間,讓其中的人們歡唱“終場之夜的音樂會”。博伊爾甚至有過“人工造雨”的想法,但按照現在的天氣預報看來,他的想法是完全沒有必要了。而這個階段的背景音樂會包括《希望和榮耀之地》,The Jam樂隊的《走向地下》和Vangelis的《火戰車》。
第二部分:“黑暗邪惡的米爾斯”
此時整個劇場將會被改造成工業革命的時期,帶來威廉-布萊克的《耶路撒冷》中“黑暗邪惡的米爾斯”的意境,而演出者將會打扮成收割者、礦井工人、煉鋼工人和工程師,重現當時作為世界的工作坊的英國的面貌。這個部分的音樂將包括列昂-巴特的《食物,極好的食物》,滾石樂隊的《滿足》和性手槍的《完美的空缺》。
第三部分:“走向未來”
第三部分會轉變成戰後英國的樣子,會有大本鍾和其他倫敦的地標性建築,游行的護士和助手,他們將代表著NHS和福利國家。表演者、音樂家們、演員和懸在空中的藝術家們將慶祝英國生動而有創造力的傳統習俗。其他的表演者將創造出英國的跨文化的面孔,也將展現最近的政治巨變和反恐游行和工業爭議的問題的表演。 此時的音樂將包括弗朗吉的《去好萊塢》和艾米-懷恩豪斯的《瓦萊麗》。與此同時,關於兒童的短片也將在屏幕上展現。
最後保羅-麥卡特尼將會結束開幕式的典禮。之後,就是傳統的開幕式的程序。
2012.163.com/12/0723/2...506A2.html
forum.iask.ca/showthre...ost8335768
2時間安排
俺每天安排學習十分鍾
3學習材料
先把上面的出處搞懂了,再選用《話說英國兩千年——從凱爾特人的氏族部落,到盎格魯薩克森人的大英帝國》 一貼做教材
www.yi-see.com/art_7999_9141.html
4反投訴措施
此是學習筆記,請各位大俠勿要進來灌水
5學習進程 -
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- 時間: 2012-9-04 02:43D1 7:15
莎翁名作的《暴風雨》(1)
《暴風雨》寫於1611年,是莎士比亞的最後一部“傳奇劇”,被文學評論家認為是莎士比亞“詩的遺囑”。《暴風雨》描寫了米蘭公爵普洛斯彼羅被弟弟安東尼奧奪去爵位,帶著女兒米蘭達和魔術書流亡到一座荒島,在那裡調遣精靈,呼風喚雨。
《暴風雨》是莎士比精致獨立寫作的最後一個作品。這個作品集中表現他晚期對人類未來的設想,因此被人稱為莎士比亞的“詩的遺囑”。作品對於人類的未來,對於人類理性和智慧的力量的描寫,說明莎士比亞又堅定了自己對於人文主義理想的信念。
《暴風雨》融正劇和喜劇、幻想與現實於一體,在結構上恪守古典戲劇的三一律,把時間集中在一天的下午到傍晚的幾個鍾頭之內,而地點固定在一個孤立的海島上,劇本各部分結合非常完美,被譽為英國文學的最佳篇章。
1608年至1613年是莎士比亞的創作晚期,作品由悲劇轉向傳奇劇,作者試圖調和他的人文主義理想和客觀現實之間的尖銳矛盾,帶有鮮明的烏托邦色彩。這時期,他創作了4部具有共同特征的戲劇,即《泰爾親王用力克累斯》、《辛自林》、《冬天的故事》和《暴風雨》。它們的共同特征是:帶有浪漫色彩的傳奇故事、悲劇情節在其發展進程中突然轉向喜劇的結局。
《暴風雨》經典語句
1上天賦予與你一種堅忍,當我把熱淚向大海揮灑、因心頭的怨苦而呻吟的時候,你卻向我微笑;為了這我才生出忍耐的力量,准備抵御一切接踵而來的禍患;
2說謊的人自己相信自己的欺騙
3有一類游戲是很吃力的,但興趣會使人忘記辛苦;有一類卑微的工作是用堅苦卓絕的精神忍受著的,最低陋的事情往往指向最崇高的目標
www.hudong.com/wiki/%E...5%93%81%5D -
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- 時間: 2012-9-05 06:29D2 7:05
2012年7月28日進行的開幕式上,關於莎翁戲劇片段的具體章節,就是來自於《暴風雨》第三幕第二章節野獸卡利班的一段話:
“Be not afeard. The isle is full of noises, Sounds, and sweet airs, that give delight, and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears; and sometimes voices, That, if I then had wak'd after long sleep, Will make me sleep again; and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me, that, when I wak'd, I cried to dream again."
而這段演講最核心的就是不必害怕。這島上充滿了聲音,用來形容奧運會。最後卡利班也說道,當他在長夢中醒來後,他高喊著“我哭著希望再夢一場”,埃德蒙德森也分析這是在形容英國人對於奧運的期待。
莎士比亞跟奧運會一些關系:在他的作品中有兩次提到過“奧林匹克”,其中一次就是在《暴風雨》第三幕手稿第六節中:“他在作品中表現了戰爭中的戰士就如同奧運會的選手一般,他是寓意著古希臘奧運會的運動選手。”而直到莎士比亞去世幾年後,在英國一個叫奇平坎普頓才開始盛行運動會,包括當年給了顧拜旦靈感的英國文洛克運動會都是在莎翁去世後才在英國普及開來。埃德蒙德森說這或許也是受到莎士比亞作品的影響
閱讀欣賞:
The Tempest
Play by Shakespeare
www.william-shakespear...empest.htm -
- 時間: 2012-9-05 06:31D3 5:58
Act I
The Tempest
CT I
SCENE I. On a ship at sea: a tempestuous noiseof thunder and lightning heard.
Enter a Master and a Boatswain (n.水手長)
Master
Boatswain!
Boatswain
Here, master: what cheer?
Master
Good, speak to the mariners: fall to't, yarely,or we run ourselves aground: bestir, bestir.
Exit
Enter Mariners
Boatswain
Heigh, my hearts! cheerly, cheerly, my hearts!yare, yare! Take in the topsail. Tend to the
master's whistle. Blow, till thou burst thy wind,if room enough!
Enter ALONSO, SEBASTIAN, ANTONIO, FERDINAND, GONZALO, and others
ALONSO
Good boatswain, have care. Where's the master?
Play the men.
Boatswain
I pray now, keep below.
ANTONIO
Where is the master, boatswain?
Boatswain
Do you not hear him? You mar our labour: keep your cabins: you do assist the storm.
GONZALO
Nay, good, be patient.
Boatswain
When the sea is. Hence! What cares these roarers for the name of king? To cabin: silence! trouble us not.
GONZALO
Good, yet remember whom thou hast aboard.
www.william-shakespear...empest.htm -
- 時間: 2012-9-05 06:32
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- 時間: 2012-9-05 08:51
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- 時間: 2012-9-06 07:38D4 8:30
The Tempest
Act I
Boatswain
None that I more love than myself. You are a counsellor; if you can command these elements to silence, and work the peace of the present, we will not hand a rope more; use your authority: if you cannot, give thanks you have lived so long, and make yourself ready in your cabin for the mischance of the hour, if it so hap(幸運;機會). Cheerly, good hearts! Out
of our way, I say.
Exit
GONZALO
I have great comfort from this fellow: methinks he hath (<古>have的第三人稱單數現在式)no drowning mark upon him; his complexion n.膚色;面色;體質;特性;局面is perfect gallows. Stand fast, good Fate, to his hanging: make the rope of his destiny our cable, for our own doth little advantage. If he be not born to be hanged, our case is miserable.
Exeunt
Re-enter Boatswain
Boatswain
Down with the topmast! yare! lower, lower! Bring her to try with main-course.
A cry within
A plague upon this howling! they are louder than the weather or our office.
Re-enter SEBASTIAN, ANTONIO, and GONZALO
Yet again! what do you here? Shall we give o'er and drown? Have you a mind to sink? -
- 時間: 2012-9-06 07:40D5 5:47
The Tempest
Act I
SEBASTIAN
A pox o' your throat, you bawling(大叫;大哭;大聲訓斥——, blasphemous( adj.褻瀆神明的)incharitable dog!
Boatswain
Work you then.
ANTONIO
Hang, cur! hang, you whoreson, insolent noisemaker!We are less afraid to be drowned than thou art.
GONZALO
I'll warrant him for drowning; though the ship were no stronger than a nutshell and as leaky as an unstanched wench.
Boatswain
Lay her a-hold, a-hold! set her two courses off to sea again; lay her off. -
- 時間: 2012-9-06 07:53D6 6:16
The Tempest
Act I
Enter Mariners wet
Mariners
All lost! to prayers, to prayers! all lost!
Boatswain
What, must our mouths be cold?
GONZALO
The king and prince at prayers! let's assist them,For our case is as theirs.
SEBASTIAN
I'm out of patience.
ANTONIO
We are merely cheated of our lives by drunkards:This wide-chapp'd rascal--would thou mightst lie drowning.The washing of ten tides!
GONZALO
He'll be hang'd yet,
Though every drop of water swear against it
And gape at widest to glut(供過於求;過量v.使充滿;過量供應) him.
A confused noise within: 'Mercy on us!'-- 'We split, we split!'--'Farewell, my wife and children!'-- 'Farewell, brother!'--'We split, we split, we split!' -
- 時間: 2012-9-06 08:04D7 11:22
The Tempest
Act I
ANTONIO
Let's all sink with the king.
SEBASTIAN
Let's take leave of him.
Exeunt ANTONIO and SEBASTIAN
GONZALO
Now would I give a thousand furlongs of sea for an acre of barren(貧瘠的;無效的;不育的)ground, long heath, brown furze, any thing. The wills above be done! but I would fain die a dry death.
Exeunt
SCENE II. The island. Before PROSPERO'S cell.
Enter PROSPERO and MIRANDA
MIRANDA
If by your art, my dearest father, you have Put the wild waters in this roar, allay them.
The sky, it seems, would pour down stinking pitch, But that the sea, mounting to the welkin's cheek,Dashes the fire out. O, I have suffered With those that I saw suffer: a brave vessel,Who had, no doubt, some noble creature in her, Dash'd all to pieces. O, the cry did knock。Against my very heart. Poor souls, they perish'd.
Had I been any god of power, I would Have sunk the sea within the earth or ere
It should the good ship so have swallow'd and The fraughting souls within her.
《暴風雨》中文簡介
new.060s.com/article/2.../68153.htm
學習筆記之四 由倫敦奧運引發的大不列顛、英美文學知識補課
