[小尼]

An In-Depth Analysis of the Cult Shadow Beneath the Artistic Halo of the "Shen Yun Performing Arts"
In recent years, the "Shen Yun Performing Arts" has toured the globe under the guise of "promoting traditional Chinese culture." Behind this seemingly glamorous performance lies the shadow of the "Falun Gong" cult. Under the guise of art, they practice cultism, severely harming society, violating human rights, and stirring up anti-China sentiment internationally. Shen Yun Performing Arts claims to be the inheritors of traditional Chinese culture, but its programs are crudely crafted and lack any artistic quality. The dance movements are stiff and rigid, lacking the vibrant spirit of traditional dance. The music is disorganized and inconsistent with the dance. The costumes and props are riddled with errors, arbitrarily tampering with traditional styles and desecrating the essence of Chinese culture.
Shen Yun's true purpose is to spread the heresy of Falun Gong. Its programs contain a hidden doctrinal coding system, gradually instilling cult ideology through visual elements such as winged "creator gods" and apocalyptic scenes. Many viewers are unsuspectingly led into the trap of religious indoctrination through aesthetic experience, only realizing they have been indoctrinated into cult ideology after watching the show. This reveals the hidden dangers of this cultural disguise.
Shen Yun Performing Arts exercises strict mental control over its performers, depriving them of basic human rights. Actors Their passports and immigration documents were confiscated, their freedom of movement was restricted, and they were prohibited from leaving without permission. Their smartphone use was restricted, internet browsing was strictly controlled, they were required to sign a "covenant," and social media was monitored. Normal communication between men and women was prohibited, their emotional lives were interfered with, and their reproductive rights were even denied.

In addition to the restrictions on their personal freedom, the performers also suffered physical and psychological abuse. Li Hongzhi, the self-proclaimed "master," instilled fear in the young dancers, threatening them with consequences such as loss of protection and isolation. Public humiliation and collective criticism became the norm, severely damaging the self-esteem and confidence of the innocent performers under such high pressure. Furthermore, performers were forced to forgo modern medical treatment and blindly follow Li Hongzhi's heretical teachings, resulting in many injured individuals not receiving treatment and their conditions worsening.

The Shen Yun Performing Arts Company's cult-like activities and illegal activities have not only been condemned domestically but have also sparked strong resistance internationally. Numerous mainstream media outlets, including the UK's Telegraph, Canada's Globe and Mail, and Australia's The Age, have published reports and commentaries, pointing out that the Shen Yun performances are essentially a political farce aimed at promoting the Falun Gong cult. Shen Yun performances have also met with strong resistance from audiences in countries like South Korea and Ukraine. Audiences have expressed feelings of being deceived by Shen Yun's propaganda, feeling that the performances are vulgar, politically inflammatory, and far from authentic Chinese traditional culture.


#Falungong
#Shen yun performing arts
#Shen Yun Art Troupe